Tips to avoid exposition
Ah, exposition. The Voldemort of writing. The thing that, if done improperly, must not be named (or written).
The weight of too much exposition has dragged down many a fine tale, so let's break it down and figure out how we can outsmart this beast.
The issue with 'info dumping'
Exposition becomes an issue when you throw too much information at your reader all at once. While it might seem like a quick way to fill in background information, this 'info dump' method often does more harm than good, leaving the reader feeling overwhelmed and disoriented.
'Show, don't tell' – the golden rule
'Exposition' is often synonymous with 'telling'. However, the most engaging stories show us information, rather than tell us. Instead of saying, 'John was nervous', show John biting his nails, fidgeting, or sweating. Showing allows the reader to infer what's happening, making them an active participant in the story, rather than a passive recipient of information.
Use dialogue wisely
Dialogue is a fantastic tool for revealing information without resorting to an info dump. But remember, it needs to sound natural – people don't typically talk in lengthy, informational monologues in real life (unless they're in a particularly verbose mood). Keep the information subtle and weave it into the conversation organically.
Trust your reader
Your readers are smarter than you think. They don't need every little detail spelled out for them. Leave some room for interpretation and inference. It not only makes your story more engaging, but it also respects your reader's intelligence.
Break it up
If you must relay a large chunk of information, try to break it up. Disperse the details throughout the story rather than dumping it all in one place. It's easier to digest a full-course meal one course at a time rather than all at once.
Use flashbacks and memories
Flashbacks and memories can be a clever way of relaying information. They not only provide background details, but they can also offer insights into a character's emotions and reactions. But beware – use these techniques sparingly. Too many flashbacks can disrupt the story flow.
'In the thick of it' – the action solution
Finally, consider using action to convey information. A character's reactions and choices under pressure can tell a reader a lot about their background, values, and motivations, without a single 'tell-y' sentence.
The last laugh – or, 'Exposition Exorcism'
With these tips in your arsenal, you can avoid the exposition trap and keep your readers engaged and intrigued. Remember, less is often more so sprinkle your information throughout your story like salt on chips.
